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Thus, Americans might be able to discern a Boston accent or a Texas accent by sound alone, or they might place a foreign speaker's origin by noting a French or Russian accent. ACEPHALOUS: From Greek "headless," acephalous lines are lines in normal iambic pentameter that contain only nine syllables rather than the expected ten. ACMEISM: A 1912 Russian poetry movement reacting against the Symbolist movement (Harkins 1). They are least useful when they obscure the truth, when they enable technobabble and unnecessary jargon.
(2) The degree of stress given to a syllable--an important component of meter. The first syllable, which is stressed, "counts" as a full metric foot by itself. Acmeists protested against the mystical tendencies of the Symbolists; they opposed ambiguity in poetry, calling for a return to precise, concrete imagery. Even English historical scholarship has fallen into the habit, commonly referring to the historical Great Vowel Shift as the ACROSTIC: A poem in which the first or last letters of each line vertically form a word, phrase, or sentence.
Action, along with dialogue and the characters' thoughts, form the skeleton of a narrative's plot., see discussion under periphrasis.
ACYRON: The improper or odd application of a word, such as speaking of "streams of graces" (Shipley 5). ADAPTATION: Taking material from an older source and altering it or updating it in a new genre.
Chaucer also wrote acrostics such as his "ABC" (Prior a nostre dame) in his younger days.
Acrostics are also common in Kabbalistic charms and word squares, including the Cirencester word square of Roman origin: in classical Hebrew poetry.
This pattern is the opposite of a tale that begins in medias res, one in which the narrative starts "in the middle of things," well into the middle of the plot, and then proceeds to explain earlier events through the characters' dialogue, memories, or flashbacks.In Roman times, a five-act structure first appeared based upon Horace's recommendations.This five-act structure became a convention of drama (and especially tragedy) during the Renaissance.(Shakespeare's plays have natural divisions that can be taken as the breaks between acts as well; later editors inserted clear "act" and "scene" markings in these locations.) From about 1650 CE onward, most plays followed the five-act model.In the 1800s, Ibsen and Chekhov favored a four-act play, and in the 1900s, most playwrights preferred a three-act model, though two-act plays are not uncommon.: A real or fictional event or series of such events comprising the subject of a novel, story, narrative poem, or a play, especially in the sense of what the characters do in such a narrative.